Well, I have a 9900, 9890 (Piezography printer), and a 4800 in studio. And this doesn’t include my dye sub event printers. I simply don’t have room for a dedicated GO printer. And Dana probably knows me well enough that if I bought another wide format printer presumably for GO, I’d end up converting it to be another piezography printer! :rolleyes: A dedicated GO printer is not an acceptable solution for me. And I purchased a new 9890 to convert to K7 piezography specifically to enable printing both matte and glossy B&W, as well as allow using the GO option on prints coming off my 9900. So I want GO output from the 9890 to work!
I’m still confident that a workaround exists for 9890/9900 K7 printer owners. I’m one of those that isn’t afraid to try something if it’ll make things work. And the wasted yards of Cone 5 are a testament to that. If Dana asked me to dance naked around my 9890 chanting and burning sage, I’d do it if it meant better B&W prints for the studio. :eek:
I haven’t had the time to print a lot of B&W on the 9890 over the past couple days, but so far, GO on my 9890 has been working (knock on wood). Not a large number of prints, but I’m six for six printing 24x16 off a 24" roll of Cone 5.
This is my workflow for glossy K7 piezography on my 9890. Printing from a dedicated Dell PC laptop, Win7 Professional, QTR.
- Print image normally (this isn’t the problem area). Printing from roll, 9890, Quad 9890; 2880, Unilateral, 9890 Cone 5 curve. Dry print.
- Load sheet. From QTR, printer selected remains Epson Stylus Pro 9890. Here’s the change: I then select a different print model. I select Quad9800-K7. Curve selected is 7880-30000 GO. 2880 (yes, that’s right), bilateral. Print the GO using the 1" white square.
So far so good. For whatever reason, selecting Quad9800-K7 makes my 9890 act like a different printer. And it works for printing the GO on my 9890 (so far, knock on wood). What I’ve found is that if I print the GO at 1440, the printer outputs the GO at a ridiculously fast rate, the print head shuttling back and forth quickly like an old charlie chaplin movie. On further inspection, the print is indeed still covered completely. It may be my eyes, but the GO seems to be “thin” at 1440. You can see the 1/8" uncoated margins on the edges of the sheet, so it is fully covered. I haven’t tried the 1440 “super” option (this only appears if Quad9800-K7 is designated), but now only use 2880 as the setting for GO, and this slows down the output and the GO seems (in my twisted mind at least) to be goldilocks just right. The only thing I’ve found is that the GO stops printing maybe ~1/2" at the end of the sheet, rather than the usual 1/8".
I don’t know the who, what, why, where, or how----but this has been working so far for me. And I hope this can prove to be a consistent workaround. Anyone else want to give it a try and report back? All I can say is that I know computers and even printers can be somewhat finicky, and trying different things that don’t make complete sense, sometimes just works. I’m not familiar with printing K7 from mac, so don’t know if this is a pc only possible workaround. More testing will reveal if this is a consistent workaround. If it does prove worthwhile, then even if you are on an Apple platform, buying an inexpensive dedicated PC laptop for printing is still better than buying a huge 44" dedicated GO printer. I’ll continue testing and try to do more B&W printing this weekend—but my Cone 5 stash is pretty low!
ken